Religion Call for Papers | @relcfp

MORE PRIDE, LESS PREJUDICE: JANE AUSTEN AT 250

Faculty of Arts and Humanities I University of Porto

2-3 October 2025

Keynote Speakers

• John Mullan (University College London)
• Fiona Stafford (University of Oxford)

On Jane Austen’s 250th anniversary we invite scholars/enthusiasts to join us at the University of Porto for a two-day celebration of both her literary genius and enduring legacy. As an inescapable figure in the English literary canon, and a popular cross-generational phenomenon, Jane Austen has always been the subject of the most diverse and innovative academic approaches. Scholars have explored various aspects of her work, from the ways in which her novels negotiate femininity (Cho 2006; Steiner 2012; Lints 2024) and subvert prevailing notions of masculinity during the Romantic era (Ailwood 2019; Woodworth 2024) to the deep psychological complexity of her characters (Mullan 2005). Additionally, research has examined Austen’s engagement with the medieval tradition of courtly love (Schubert 2023) and the significance of garden landscapes within her narratives (Bending 2024). Uncountable cinematographic and television adaptations, as well as retellings of Austen’s novels have catalyzed the development of studies concerning the intermediality of her work (Martin 2007; Cartmell 2010; Sutherland 2011; Pereira 2016; Ursa 2018). These varied lines of enquiry underscore the enduring relevance and complexity of Austen’s contributions to literature. Her works being products whose critical fortunes inevitably surpass the author’s own time and geography, it is the aim of this conference to foster new and thought-provoking (re)interpretations of the Austenian corpus – namely the novels that brought her fame – and the lenses through which it can be revisited in our day and age.

We thus welcome papers on all aspects of the author’s life, and encourage contrasting perspectives on her oeuvre. Possible topics include (but are not limited to) the following:

• Afterlives: translations, adaptations, transmediations (e.g., films, TV/streaming series, retellings, video games, fanfiction, etc);
• Global Austen;
• The life of Jane Austen (family, education, juvenilia);
• The rise of the novel: books and reading practices;
• Landscape(s) and travelling;
• (Re)Defining masculinities;
• Womanhood, girlhood & rebel women (or not so much);
• Regency life: fashion, manners, sociability;
• Economy: love and the marriage market;
• Language, style and structure;
• Critical responses (early and recent);
• Literary scene: from sentimental to gothic;
• Nationalism, war and empire;
• Digital Humanities;
• Conventions and transgressions.

We welcome 250-word proposals for 20-minute presentations in English at [email protected]. Please include a short bio (max 150 words, including the author’s academic affiliation). The deadline for abstract submission is 16 May 2025.

The standard conference fee is 80 euros. A reduced fee of 30 euros is available for students. The conference will be held in person at the Faculty of Arts and Humanities of the University of Porto. All delegates are responsible for their own travel arrangements and accommodation.

More information available later at https://sites.google.com/view/morepridelessprejudice/.

References:

Ailwood, Sarah. Jane Austen’s Men: Rewriting Masculinity in the Romantic Era. Routledge, 2019.

Bending, Stephen. “‘Nothing but pleasure from beginning to end’: Austen’s Gardens.” The Edinburgh Companion to Jane Austen and the Arts, edited by Joe Bray and Hannah Moss, Edinburgh University Press, 2024, pp. 321-334.

Cartmell, Deborah, Screen Adaptations: Jane Austen’s Pride and Prejudice: A Close Study of the Relationship between Text and Film. Methuen Drama, 2010.

Cho, Sonjeong. An Ethics of Becoming: Configurations of Feminine Subjectivity in Jane Austen, Charlotte Bronte, and George Eliot. Routledge, 2006.

Lints, Emily. Negotiating femininity: expressions of gender and the policing of female hierarchies in Jane Austen’s Pride and Prejudice. 2024, University of British Columbia, MA Dissertation.

Martin, Lydia. “Jane Austen on Screen: Deference and Divergence.” Literary Intermediality: The Transit of Literature Through the Media Circuit, edited by Maddalena Pennacchia Punzi, Peter Lang, 2007, pp 65-82.

Mullan, John. “Psychology.” Jane Austen in Context, edited by Janet Todd, Cambridge University Press, 2005, pp- 377-386.

Pereira, Margarida Esteves (2017). “Becoming Jane e Miss Austen Regrets: representações e projeções de Jane Austen no filme biográfico.” Jane Austen em Portugal: (Con)Textos, edited by Rogério Miguel Puga, Biblioteca Nacional.

Schubert, Tiffany. Jane Austen’s Romantic Medievalism: Courtly Love and Happy Endings. Lehigh University Press, 2023.

Steiner, Enit Karafili. Jane Austen’s Civilized Women: Morality, Gender and the Civilizing Process. Pickering & Chatto, 2012.

Sutherland, Kathryn. “Jane Austen On Screen.” The Cambridge Companion to Jane Austen – Second Edition, edited by Edward Copeland and Juliet McMaster, Cambridge University Press, 2011, pp. 215-231.

Ursa, Mihaela. “Media Pride and Prejudices of Transmedia Traffic: Enacting Jane Austen with Zombies.” Caietele Echinox, no. 35, 2018, pp. 175-189.

Woodworth, Megan. “‘I could meet him in no other way’: Dueling, the Culture of Honor, and Modern Masculinity in Sense and Sensibility.” Jane Austen and Masculinity, edited by Michael Kremp, Rutgers University Press, 2024.

Details

MORE PRIDE, LESS PREJUDICE: JANE AUSTEN AT 250 is organised by the Relational Forms research area of the Centre for English, Translation and Anglo-Portuguese Studies (CETAPS). website

Executive Committee:

Jorge Bastos da Silva (coord.) |Cláudia Coimbra |Tânia Cerqueira |Jaqueline Pierazzo |Jéssica Bispo

Scientific Commitee:

Alexandra Lopes |João Paulo Pereira da Silva |Jorge Bastos da Silva |Katarzyna Pisarska |Maria Zulmira Castanheira |Miguel Ramalhete Gomes |Paula Alexandra Guimarães |Rogério Puga |Rui Carvalho Homem

Funding

Financed by national funds through FCT - Fundação para a Ciência e Tecnologia, I.P., under the project UIDB/04097/2020, https://doi.org/10.54499/UIDB/04097/2020.